01 — Selected work, 2019–2026
A Copenhagen studio for product, brand, and editorial systems — work that is meant to last past the season it ships.
View the work02 — Work
A system of signs, screens, and spoken language that treats a journey as a single, readable sentence.
Product/2025
Atlas Rail
Wayfinding and digital service design for a Nordic regional rail operator.
A system of signs, screens, and spoken language that treats a journey as a single, readable sentence.
Speckled glaze as a colour system. Type that sits still. Nothing louder than the clay.
Brand/2024
Kander Ceramics
Identity, packaging, and a quiet shopfront for a small-batch ceramics studio.
Speckled glaze as a colour system. Type that sits still. Nothing louder than the clay.
Four issues a year. One grid. Paper chosen to yellow honestly.
Editorial/2024
Field Notes Press
A seasonal journal on craft, landscape, and the people who keep them.
Four issues a year. One grid. Paper chosen to yellow honestly.
Fewer features, more room. Built for people who already have a practice.
Product/2023
Harbor Studio
A workspace for independent practices — files, clients, and the hours between.
Fewer features, more room. Built for people who already have a practice.
Scientific restraint as a brand. Ice, lichen, and type that reports rather than sells.
Brand/2025
North Sea Climate Lab
Visual language for a climate research institute on the North Sea.
Scientific restraint as a brand. Ice, lichen, and type that reports rather than sells.
Captions that recede. Images that hold. A book you can leave open on a table.
Editorial/2023
Kunsthal Nørrebro
Exhibition catalog and spatial graphics for a photography survey.
Captions that recede. Images that hold. A book you can leave open on a table.
03 — About
Elena Voss is an independent designer based in Copenhagen. The studio works with organisations that need a system more than a campaign — product teams, cultural institutions, and small manufacturers who intend to stay.
For twelve years the work has moved between brand, product, and print: first in London, now from a workshop in Nørrebro. Projects are taken one at a time. The standard is the same whether the surface is a ticket hall, a journal, or a quiet piece of software.
Recent collaborators include Atlas Rail, Kander Ceramics, the North Sea Climate Lab, and a handful of publishers who still print on paper.
04 — Practice
The same attention, whether the brief is a rail network or a bowl.
Identity, naming, and rules that survive a reorg.
Interfaces, flows, and the empty states between them.
Journals, catalogs, and type that is meant to be held.
Pairings, measures, and the quiet work of alignment.
From paper to a working surface, without the theatre.
A small team, a long view, and one standard of finish.
05 — Contact
New work is taken on a few times a year. Write with the brief, the timing, and what you already know you do not want.
[email protected]